How to recognize Greek dances
Greek dances are sometimes referred to as having three speeds: fast, slow, and very fast. When requesting a particular dance, try to use the actual names of the dances instead of the tempos they are danced to. Here are some ways to distinguish between these dances to avoid confusion.
In most Greek dance celebrations, Kalamatiano is the most common. The dance is made up of twelve steps: six steps to the right, followed by six steps in place. This dance is sometimes called a syrto. In essence, they are the same dance: Kalamatiano is a syrto originating from Kalamata, a city in southern Greece. Some people refer to this dance as the “fast” or “regular” rhythm dance. Kalamatiano is a constant dance and does not require much effort from the dancers.
A song called “Mandili Kalamatiano” is one of the most traditional Greek folk dances. The name comes from the letter that describes a young woman who wears a scarf around her neck. Typically, the lead dancer uses a white handkerchief for props that is waved with the free hand or held between the lead dancer and second dancer. In this case, the handkerchief (or a clean napkin on occasion) becomes an extension that allows the leader to interact with their partner on the left, allowing freedom of movement to incorporate improvisations. The mandili has both form and function in Greek folk dance.
Other traditional songs include “Samiotissa” (“Girl from Samos”), “Milo Mou Kokkino” (My Red Apple) and “To Papaki” (The Duck). These titles may sound strange to people who are used to contemporary popular songs, but keep in mind that they reflect the popular reality of the people who wrote them. While the titles may sound strange, the lyrics often tell stories about a young man’s admiration for a young woman, a person from a particular town or city, or unrequited love.
After a couple of Kalamatiano songs, a Tsamiko is often played. This is known as the “slow” dance. Like Kalamatiano, Tsamiko is made up of twelve steps, but with a different rhythm and a much slower tempo. The line moves much slower than a Kalamatian, so it is not uncommon for dancers to rest or sit outside during this dance. However, for some dancers, the slow rhythm of Tsamiko allows each dancer, and especially the lead dancer, to express the steps in a more blah blah blah way. A skilled dancer will take the lead position and incorporate elaborate variations such as kicks, squats, lifts, or even an overhead cartwheel! The handkerchief has a more functional role here, serving as an extension between the two front dancers, allowing the second dancer to offer constant support to the lead dancer for impressive variations. Tsamiko is really fun to dance to, but she’s also really fun to watch!
The music at your celebration will likely switch between Kalamatiano and Tsamiko throughout the night. Eventually, the Hasaposerviko, or “the rapid” will be played. This dance is always a crowd pleaser, but it is not for dancers who would like to get some rest. Instead of holding hands, the dancers put their arms around each other’s shoulders. The step is really simple: three steps to the right followed by two kicks in place. Like most dances, the leader determines the speed of the line: he can take big steps and move the line quickly to the right, or take smaller steps. This can be a dance that you do at your own risk. You can get out of line if you need a breather; the dancers behind you will gladly pick up the pace to catch up with the rest of the line once you leave.
While these three dances are the most common danced at a Greek reception, there are hundreds more that make up the Greek folk dance tradition. However, recognizing these three dances will deepen your understanding of Greek dance.